Johnson Controls Executive Briefing Center

Downstream

Maxon Cinema 4D, After Effects, Adobe Photoshop





Photos by Scott Brown

Nike Pro Combat Cold Weather Guide

Nemo Design

Maxon Cinema 4D, Adobe Photoshop





Bing & Decide

Razorfish

Adobe After Effects, Adobe Photoshop

The New MSN

Razorfish

Adobe After Effects, Adobe Photoshop, Adobe Illustrator

2009 Demo Reel

Demo Reel Breakdown

00:23

Pacific Benefits Group Site Banner

Adobe Flash

For this animation I used a series of complex masks to reveal the image underneath. I worked closely with an illustrator to achieve a hand drawn look.

00:31

Exterro Maze

Cinema 4D, Adobe After Effects, Adobe Illustrator

This project was done for Exterro, Inc. a company that provides tools for corporations to manage their legal governance. The concept was to show the Exterro logo “cutting through the maze of the legal process.”

I built the 2D vector layout of the maze with the legal terms in Adobe Illustrator. Then I modeled, lit, animated and rendered this scene using C4D. In After Effects I did some final color correction and compositing.

I also rendered several frames from this animation at print resolution which were used in magazine ad newsletters and other promotional materials for Exterro, Inc.

00:43

Abstract 3d / Visual Sound

Cinema 4D, Adobe After Effects

This is a personal project in which I used many of Cinema 4D's more advanced Modules including Mograph, Advanced Render and Thinking Particles.

I used audio frequencies from a song to drive a series of abstract animations, which I captured from several different angles. Then I edited and composited the final project in After Effects.

00:49

Define Belief / Copious Self-Promotion

Adobe After Effects, Adobe Illustrator

Define Belief, a four color screen-print poster illustrated by Tyler Stout, started as a promotional print piece for Copious Creative.

I was put in charge of adding motion to this illustration. Starting with his Illustrator file, I began by separating and exporting layers, which were then imported into After Effects and arranged in 3D space. By animating the camera, the city's characters, and additional content, I brought the viewer a closer, more exciting perspective of the city.